More Stories and Music!

If you’re new to my site (or just forgetful:) what’s going on here is:

This new music was spawned by Covid, when folks were dying all around, songs I needed to sing—and which I then performed across Europe, the UK/Wales, and Morocco.  I’ve been telling those stories in my blog and releasing the resulting album, Prodigal Tomboy, one song at a time. See all the singles released here & on the Prodigal Tomboy page at the bottom. The new release is:  All I Want, a Joni classic!~    >>>>>>>

And I’ve written about my month+ stays in Sicily, Spain, Portugal, Wales, France,  Italy, & Morocco.  Go backwards at the bottom of the Blog page for those~

& The current blog evokes ranges of history in:    Greece . . and Berlin!  The gorgeous collages for the different countries were created from my photos by Helena Powell of LuminArts—I’m sorry if you missed the previous ones but they’ll resurface—

That main photo of me starting (staring at:) the camera while recording—that was taken in Manjula & Max’s cottage in western Sonoma, just before leaving for Europe. . .

For the new blog on Greece and Berlin, scroll down past the singles. 

Love having  you visit, thanks!~

 

 

 

 

 

All I Want

Kay Martin and FeFe Lee

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All I Want is one of Joni Mitchell’s greatest greats—it couldn’t have fit my traveling year and all that learning—all I discovered & experienced & was blown away by—any better. In ways it’s a love song—but it goes Read more

All I Want is one of Joni Mitchell’s greatest greats—it couldn’t have fit my traveling year and all that learning—all I discovered & experienced & was blown away by—any better. In ways it’s a love song—but it goes deeper, and feels like an anthem to travel, to discovery— inner and outer discovery—& to passion and compassion in love.
Like all the Prodigal Tomboy songs, this features Fefe Lee on guitars, bass & synth, & Paul Tavenner—here playing perc. Thanks for listening!

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Prodigal Tomboy singles

Lighthouse

Kay Martin, with Fefe Lee

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Here it is—Lighthouse, the first Prodigal Tomboy song! :-) Speaks for itself, really, in a world where Covid lurks!~ Thank you everyone who came to my Pop-up Concert at Aptos Center!! It was a beautiful morning!! Read more

Here it is—Lighthouse, the first Prodigal Tomboy song! :-)
Speaks for itself, really, in a world where Covid lurks!~ Thank you everyone who came to my Pop-up Concert at Aptos Center!! It was a beautiful morning!! Lighthouse by the Waifs. kay martin vocal, spoons. Fefe Lee guitars, bass, synth. Paul Tavenner drums, percussion. Engineered by Paul Tavenner at Big City Recording. Music recorded in Fefe Lee's garage studio in Ventura & Paul Tavenner's studio-home in Granada HIlls; vocals recorded in my studio (friend Lorenzo's back house) in Santa Monica, my friend Mary's garage in Capitola, & my daughter Manjula's cottage in Camp Meeker.

ProdigalTomboy #MontalbanoHouse #PuntaSecca #PopUpConcerts #MyKindOfTour #kaymartinmusic #ConcertsFarawayPlaces #FourSweets #Softly #LighthouseKayMartin

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Chovendo Na Roseira

Kay Martin, with Fefe Lee

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Listen! It’s Raining in the Rose Garden! Chovendo Na Roseira is one of the loveliest songs of the 20th/21st centuries. Brazilian Portuguese is among the most beautiful of languages; Brazilian music (deriving from Read more

Listen! It’s Raining in the Rose Garden! Chovendo Na Roseira is one of the loveliest songs of the 20th/21st centuries. Brazilian Portuguese is among the most beautiful of languages; Brazilian music (deriving from African/samba rhythms—check out my Four Sweets album!) is among the most vibrant, melodic, and soulful on the planet. I originally chose Chovendo for this project thinking of it as relieving stresses and strains of our post-Covid world. With its lightness, its sweetness, beauty, and joy, this song relieves and comforts at this (frankly) frightening, worrisome historic moment. Kay Martin vocals, Fefe Lee guitars bass and synth, Paul Tavenner drums and percussion. (if you use the link I've posted, you can see the lyrics under 'info') . . . Here's at the big boys' sites:

Spotify https://open.spotify.com/track/0ufd6AiG7nAQbRG7tMh0Qw

Apple https://music.apple.com/us/album/chovendo-na-roseira-feat-fefe-lee-single/1774853091

Amazon https://music.amazon.com/albums/B0DKB57TY8

Pandora https://www.pandora.com/artist/kay-martin/chovendo-na-roseira-feat-fefe-lee/ALjm44bf62JpjZw

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Rich Man's World

Kay Martin, with Fefe Lee

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Rich Man’s World came to me via the Shady Characters band here in Santa Cruz, who got it from artist-composer Eilen Jewell. The song fits Wales, as part of the UK—the other main imperialist country that, with us, runs Read more

Rich Man’s World came to me via the Shady Characters band here in Santa Cruz, who got it from artist-composer Eilen Jewell. The song fits Wales, as part of the UK—the other main imperialist country that, with us, runs (controls) the world’s banking, finance, and therefore wealth. I could say the Brits long treated the Welsh as 2nd-class citizens, but the Welsh know their own worth.~ And are proud UK citizens, like loving the Queen’s Platinum Jubilee (I was there for it!:). The UK (this my first time staying for any length) does share the US’s materialism in spite of its longer richer history and related interests and quirks.
I love this song for expressing the joys of feeling & moving free—even broke & lonely, needing work & stability. My “lonely rambler girl” is freewheeling, celebratory. Wales carries both sides of that equation: the power/$$ structure keeping us subservient &/or poor, struggling—and the freedom to transcend all that through nature, culture, companionship, simple pleasures, humor—music! I have to confess, the spoons in this one always crack me up . . !

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Tell It Like It Is

Kay Martin, with Fefe Lee

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Tell It Like It Is has long been a favorite, a superlative tune by Aaron Neville back in the day. It speaks to delicately balancing truth and integrity in relationship—when cultural (maybe even natural) tendencies propel Read more

Tell It Like It Is has long been a favorite, a superlative tune by Aaron Neville back in the day. It speaks to delicately balancing truth and integrity in relationship—when cultural (maybe even natural) tendencies propel a couple into a kind of opposition or even war—who wins, who holds power, who’s subjected to the other, who calls the shots. . . who gets what they want, and who doesn’t? I love how the song confronts, holding to truth & deep values, seeing life as fleeting, that we should realize & actualize our potential, our needs & deepest desires, while we can! In this “post”-Covid world—now a world of firestorms and giant tides—this speaks to me. Also, fyi, Tell It was the 1st of these travelin’ tunes that I worked on— I think I recorded 5 or 6 takes, compared to all the other songs, which were recorded on the move & with only 2 takes each!

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Losing My Religion

Kay Martin, with FeFe Lee

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I think I was in Dijon when, besides watching the Jan. 6 hearings, I listened to interviews with Michael Stipe of REM—brilliant, fascinating, inspiring. Asked about this song, now my new release Losing My Religion, he Read more

I think I was in Dijon when, besides watching the Jan. 6 hearings, I listened to interviews with Michael Stipe of REM—brilliant, fascinating, inspiring. Asked about this song, now my new release Losing My Religion, he brushed it off as a light story about a crush at a party. You never know—but . . . To me it captures the most difficult of intimate or family relationships, when everything you do is wrong and makes things worse; you walk on eggshells, tense and fatally self-conscious, self-sabotaging. To the person with all the power, who controls your love, you’re insignificant—almost like an insect. This song captures that terrible loneliness, for me. Fefe Lee: guitars, bass, synth; Paul Tavenner, drums

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Corcovado

Kay Martin, with FeFe Lee and Paul Tavenner

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This song is the beating heart of my music. I fell in love with Brazilian music from its first explosion in the US. Then when I started singing publicly, I had a dream (an actual dream): just an image, half a notebook Read more

This song is the beating heart of my music. I fell in love with Brazilian music from its first explosion in the US. Then when I started singing publicly, I had a dream (an actual dream): just an image, half a notebook page with a big “Corcovado” scrawled in my writing (that came from my actual notebook)—but in the dream, the word was surrounded by guitars. I sensed the song (& all it represents) would be central to my music & life, as would guitars! And dare I say, is a credible nomination for Most Beautiful Song!~ Re: this version: one jazz friend chided me, “the guitar is not Brazilian.” No, it isn’t—it’s Argentinian! by AC Jobim; guitars, bass, synth—Fefe Lee; vocals—kay martin; percussion—Paul Tavenner.

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Prodigal Tomboy-the blog

Then, Now . . . Greece— and Berlin! 

             Hard to capture the difference between Greece and the other European countries I had visited.  It’s like Greece decided to go the way of the US and then got stuck part-way there—and then resents not making it all the way.  Not to say that traditions from Greece’s history and culture haven’t survived, they have—and of course have percolated through the Romans and the entire history of the western world.  But it feels like the people there aren’t that happy with their traditions (given their serious economic, etc. problems)—the way people mostly do seem to be in Italy (notwithstanding their own serious econ problems), Spain, Portugal, and France—and yes, Wales.  Or maybe it’s tourists they resent—but all these countries are major tourist destinations.  A dear (LA, CA) Greek friend tells me the country now is a thorough disaster—and he is staunchly Greek. 

            So it’s got that edge to it—kind of a cultural identity crisis.  Anyway it was certainly someplace I wanted to go, duh—and may again. 

            I spent several wonderful days in Athens, going as deep as I could into the part of town near the Acropolis—the historic parks!! 

          And then lived a month on Leros, a beautiful and fascinating island. I had planned to go to Corfu where my Wales hostess has a house, but then businesses closed down there during infrastructure (airport) repair (& tail-end of Covid).  So I booked a rental on Leros, which fell through due to flooding, but then the agent substituted another, spectacular spot.  I was near the top of a very steep hill (cliff, really—with trails down on two sides of my corner) plunging down into one of those exquisite Greek island bays.   

            Leros was a beautiful island before it was settled, still is—and its history is so extraordinary!  During my stay though, it was really, really cold.  Apparently way colder than usual for January-February, and they just have those little wall AC-heater units, which did not cut it.  I turned on the oven and opened the oven door most days—and my place, perched on its cliff, braced a freezing wind.  So that slowed me down some!  But I climbed down the ancient steps to the bay village below, Pantelli, often—to a shop there and restaurants (mostly closed). And walked to my (upper) village center, the main grocery shop. . . they couldn’t get my cards to work, so I had to get cash. . . And one worker there took against me, decidedly, so I avoided it as much as I could. I did get a car, for exploring, and drove all over that 7+ -mile long island, with all its steep little mountains and gorgeous scalloped bays. :-) 

              I had made a friend when I first arrived, in a travel saga worth sharing. The plane from Athens to Leros couldn’t land on Leros that first day, because of the wind. I hadn’t understood the pilots’ announcements, but I figured it out soon enough. We landed on an adjacent island, and were herded into a waiting room and left to fend for ourselves. Most of the people were clearly used to this, and did I don’t know what, but a group of like four men needed to get to Leros, plus me there with my luggage and equipment. One gentleman spoke English, and kindly asked if I also needed to get to Leros. He included me in their group, whew!  So they booked a small boat to come from Leros & get us, which it did eventually, with some jockeying and taxiing on our part. I was worried about my heavy bag & soundcase, but that skipper just stowed it all underneath somehow, & off we went. He dropped us at the south end of the island, where my friend called a cab, taking me with him to the north end of the island, to his car parked near the airport, & then drove me to my new place. 

             We had gotten along well, and I thought I would see him again, but meanwhile had caught a cold, and did my surviving and exploring on my own.  I was content in such a beautiful spot, and learned what I could about the island.  Leros’s ancient history as the island of Artemis was mostly gone, except for one ancient temple spot.  The Knights of St. John settled in the 1300s, then the Ottomans, yielding various exquisite medieval chapels. This incredible chapel built into the rocks on the water and featuring Our Lady of the Crabs~ is called Panagia Kavouradaina.

               In notable historical anomalies, Leros was occupied by Italy in 1912, then the Axis in World War II, with their military bases—and Mussolini ordered his dream city built, still partly extant, in Lakki, pictured. I can add, the deepest scalloped bays made good harbors!

             Near the end of the war the Germans held out there until the British prevailed in a fierce local battle. Leros only became Greek in 1948. More recently, a notorious mental hospital caused a national scandal for its appalling conditions—that haunting building remains but its whole area is military and off limits. They house immigrants there who land from Africa and everywhere, strictly controlled—but you see them out and about with their social-services supervisors in excursions around the island (& see ferry pic below). 

             So it’s a real mix!  For my music: I had made some good contacts & could well have performed there—& enjoyed it!—but it was too cold for outside. After almost three weeks, my initial friend called me one evening wanting to have dinner, but too late for me. Oddly, then, that weekend on subsequent days we ate at the same restaurants (both small, by the water, and fabulous!)—and the second day, he invited me to join him with his brother, sister-in-law, and little nephew in their meal. 

              And this was a real Greek experience. The owner just kept bringing food (and drink!) for hours!  And it was delicious—plenty of seafood for my tastes, the drink was too strong but if one eats & sits & talks long enough. . . basically from lunch through dinner!  It was enough time for me to sense their family dynamics—which were troubled.  The wife of the brother was exhausted, the brother was struggling financially & clearly resentful of my friend’s obvious success, & paid Zero attention to his own son.  So I adapted by playing with the little boy much of the afternoon.  After that extended feast, they invited me to join them at a classy bar in the village for more drinking, yikes. By then obviously I was feeling it—and was ever more sympathetic for the poor woman, who could barely shepherd her kid and looked miserable, while the men talked (sometimes including me, sometimes not).  And then I made a faux pas that alienated the men—although her eyes were shining. 

              I think I asked her what she really loves to do—herself, apart from family, which of course comes first. The couple weren’t getting on all that well, it was obvious (falling in love not being at all the same thing as marriage, what support it requires, and a 2-year-old son). Both her husband (my friend’s brother) and my friend looked askance at my engaging her this way—and my friend was angry.  I was disappointed, but not really surprised nor resentful.  She couldn’t really answer me.  See what I mean about identity crises there?  This picture is from before I got into trouble. My friend did make sure I drove home safely that night—but we were done.

             My travel leaving Leros was even crazier than my arrival. My flight was to Athens of course, and from there I had a flight to Berlin.  I got a cab to the little airport, went through all the usuals, through security, and with our bags on trailers, but—there was no plane in sight. And then quite subtly they said, the plane is not coming.  I finally had to ask the one English speaker outright: is the plane coming today or not, and the answer was no. (Too much wind.) So while other tourists questioned and argued, I quickly nabbed the one cab outside waiting and texted my hostess to see if anyone else was moving into my place that day: no one was. I went back & spent the day there, booking an overnight passage on the ferry to Athens that night at 10. The same nice cabby came & got me in the freezing dark windy night, and I slept in a cozy cabin to arrive at Athens in time for my flight to Berlin!

             High winter in Berlin, rain & snow, but the city is well prepared for it. I lucked out again with a wonderful flat in the Prenzlauer area—lively bustling neighborhoods, lots of families, services & restaurants, a straight shot by bus (& rail) to the center.  It felt like I’d come back into modernity with a vengeance: because in contrast to my idylls in the other Euro countries—frolicking in nature & centuries of culture & history—here I faced head-on two horrible and vicious eras of our time: Nazi Germany, and the Berlin Wall; the Gestapo and the Stasi. The holocaust museum is profound; the deeper you go the more you get it.  Berlin has wonderful ancient and modern museums—I delved into as many as possible during my short stay.  I met a formerly American friend of my girlfriend Marina who lives there, Ernie, and we had one delightful day out & about in the rain—before he caught Covid. Fortunately I did not.  I even connected with family I hadn’t met, my aunt’s (German) husband’s nephew & family, who live across the river in Potsdam, so beautiful, and Christian & I had an elegant dinner back in the city. 

            So, Berlin is rather a weird ending for my kind-of European Tour tales—no outside performances in such weather, and sobering reality closing in again in spades (little did I know how prescient and parallel it would prove). But Berlin, for all its morbid background, is a lively, creative, culturally vibrant, diverse & happening city.  I had never been before~ 

             But whether you have or haven’t been to these places I’ve written about, I hope you’ve enjoyed reading about them—and hearing my Prodigal Tomboy music, about to be complete—you'll see!~  And I hope my narratives inspire others to relish more deeply the similarities among peoples in these and other places, as well as all the richly stimulating & engaging differences among cultures & lives. 

            This trip was now over two years ago, and things here have changed drastically since. On my trip I took to saying I was from California, since everyday folks in Europe and the UK had been so turned off by Trump’s first term that they were cynical towards and alienated from people in the US.  It’s not like it is here, where we have virtually no specific information about the rest of the world; folks abroad regularly follow what’s going on in the States.  Clearly people’s feelings towards us have severely worsened now again. 

             So that’s my advice to you.  Just say you’re from California, and see their faces lift & open, & their eyes and mouth soften. They do understand knowledgeably and well that everyone over here is not like that.